Guy Lyman

Silo, 2022
Charcoal, Oil Crayon, Acrylic, House Paint, Handmade Paper
25 x 21 in
$1,280
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"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through online platforms I am now (thankfully) able to reach a worldwide audience and am selling paintings to collectors in places like London, Madrid and Beirut, which is gratifying to me. So I have begun to reserve some of my work to offer online first. In my paintings, I use a variety of media - nearly always acrylic, but often wax, house paint, watercolor pencil, tar and other materials. This series of paintings is primarily about the color, line and surface quality, which have always been my chief interest. The "objects" are mostly something to wrap the paint around. I am as interested in the negative space as the positive, and spend a lot of time on the layering, taking out and covering up, wiping and scraping, modulating color, texture and sheen, to get it where I want it. I have fingers in the paint as often as brushes. Influences of certain 80s painters such as Julian Schnabel and contemporary painter Gary Komarin are showing here. Should you have any questions, please leave them here - I really enjoy corresponding with my collectors."

Comes framed in professional deep-profile wood floater frame.


I have been painting for about 30 years, since before I was a dealer. I always was and remain most drawn to so-called “painterly” painters, whose interest is less in the formal aspects of painting than in the paint itself, and signs of the artist’s hand in its application. Initially I was drawn to paintings from the magical period between New York Abstract Expressionism and Pop Art, by artists such as Robert Rauschenberg, Jasper Johns, Jim Dine and Cy Twombly. In the Eighties, it was New York neo-Expressionists such as Julian Schnabel, Terry Winters and Donald Baechler. As you can see, in the past few years my paintings have become more formal, but you can still see a lot of the hand in them. I grew up in New Orleans, lived in various places in the U.S. and Europe, then returned to "the Big Easy" to open my Magazine Street gallery, which I sold in 2017 before moving my art business entirely online. I still enjoy meeting fellow art collectors and painters when they visit New Orleans.