Raphael Soyer
Raphael Soyer was a renowned New York artist whose work can be found in the most important American museums, including the Smithsonian, the Met and the National Gallery. He is classified as a Social Realist, and painted everyday people in New York City for most of his career. This is a stunning portrait with a classic Social Realist/WPA style he is now famous for. One look at it and you know who painted it. It is quite large compared to most of his portraits, with a lot of wall power.
Here is some biographical information from AskArt:
Raphael Soyer, born in Borisoglebsk, Russia in 1899, emerged as a prominent Social Realist painter known for his empathetic portrayals of everyday people. In 1912, the Soyer family immigrated to the United States, settling in the Bronx, New York, after facing difficulties as Jews in the late Russian Empire.
Soyer's artistic journey began at Cooper Union, where he studied alongside his twin brother Moses from 1914 to 1917. He continued his education at the National Academy of Design (1918-1922) and the Art Students League of New York (1920-1926), where he was mentored by Guy Pene du Bois. Artistic Career and Style Soyer's work focused on capturing the essence of urban life in New York City, particularly during the Great Depression and post-World War II era.
Rather than making overt political statements, Soyer's art explored the psychological impact of growing consumer capitalism on individuals. His paintings often featured strong, flat colors that evoked a sense of isolation. Soyer became a key figure in the Fourteenth Street School of painters and was associated with the Social Realists. He co-founded Reality magazine and championed Realism during the rise of Abstract Expressionism1.
Throughout his career, Soyer remained committed to representational art, opposing the dominant force of abstract art in the late 1940s and early 1950s. His work continues to be recognized for its sensitive and penetrating portrayals of New York City's diverse inhabitants. Raphael Soyer passed away on November 4, 1987, in New York, leaving behind a rich legacy of humanistic realism in American art.
Sources include: Michael David Zellman, 300 Years of American Art
Matthew Baigell, Dictionary of American Art